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The macabre and the supernatural are frequent themes. Horror may also overlap with the fantasy, supernatural fiction and thriller genres. Horror films often deal with viewers' nightmares, fears, revulsions and terror of the unknown. Plots within the horror genre often involve the intrusion of an evil force, event, or personage into the everyday world. Prevalent elements include ghosts, extraterrestrials, vampires, werewolves, demons, satanism, gore, torture, vicious animals, evil witches, monsters, zombies, cannibals, psychopaths, natural or man- made disasters, and serial killers. The Cave of the Demons, literally . In 1. 90. 8, Selig Polyscope Company produced Dr. Paul Wegener's The Student of Prague (1. The Golem trilogy (1. Robert Wiene's The Cabinet of Dr. Caligari (1. 92. 0), Arthur Robison's Warning Shadows (1. Paul Leni's Waxworks (1. Good list of top hollywood magical fantasy films released on dvd in 2016, 2015, 2014, 2013, 2012, 20. Year Country Main title (Alternative titles) Original title (Original script) Director Battles, campaigns, events depicted; 2002: USA: Below: David Twohy: Strange. Best Horror Movies 2012. The only 2012 horror movie that sounds interesting is The Woman in Black, I really enjoyed the play (it’s the longest running play in.The first vampire- themed movie, Nosferatu (1. Bram Stoker's Dracula. Other European countries also, contributed to the genre during this period. Some notable examples include The Hunchback of Notre Dame (1. The Phantom of the Opera (1. The Cat and the Canary (1. This fall, Benedict Cumberbatch will put on a red cape and take the MCU into a realm of magic and mysticism with Doctor Strange. Strange isn’t the first magician to. Best Horror Movies: Four Overlooked Netflix Movies That Are A Must-Watch The Unknown (1. 92. The Man Who Laughs (1. Many of these early films were considered dark melodramas because of their stock characters and emotion- heavy plots that focused on romance, violence, suspense, and sentimentality. Directors known for relying on macabre in their films during the 1. Maurice Tourneur, Rex Ingram, and Tod Browning. Ingram's The Magician (1. Tod Browning's Dracula (1. James Whale's Frankenstein (1. The Old Dark House (1. Some of these films blended science fiction with Gothic horror, such as Whale's The Invisible Man (1. German films. Frankenstein was the first in a series of remakes which lasted for years. The Mummy (1. 93. Egyptology as a theme; Make- up artist. Jack Pierce was responsible for the iconic image of the monster, and others in the series. Universal's horror cycle continued into the 1. B- movies including The Wolf Man (1. The once controversial Freaks (1. Hyde (Paramount, 1. Jekyll's transformation before the camera. Both appeared in three of Val Lewton's atmospheric B- movies for RKO in the mid- 1. The Body Snatcher (1. Two subgenres began to emerge: the Doomsday film and the Demonic film. Japan's experience with Hiroshima and Nagasaki bore the well- known Godzilla (1. Hollywood directors and producers found ample opportunity for audience exploitation through gimmicks. House of Wax (1. 95. D film to draw audiences, while The Tingler used electric seat buzzers in 1. Filmmakers continued to merge elements of science fiction and horror over the following decades. The film conveyed the fears of living in the Atomic Age and the terror of social alienation. During the later 1. Great Britain emerged, as a major producer of . The Hammer company focused on the genre for the first time, enjoying huge international success from films involving classic horror characters which were shown in color for the first time. Drawing on Universal's precedent, many films produced were Frankenstein and Dracula remakes, both followed by many sequels. Other British companies contributed to a boom in horror film production in the UK during the 1. Peeping Tom (1. 96. France continued the mad scientist theme, while Italian horror films became internationally notable. American International Pictures (AIP) made a series of Edgar Allan Poe–themed films. Films in the era used the supernatural premise to express the horror of the demonic. The Innocents (1. Henry James novel The Turn of the Screw. Meanwhile, ghosts were a dominant theme in Japanese horror, in such films as Kwaidan, Onibaba (both 1. Kuroneko (1. 96. 8). An influential American horror film of this period was George A. Romero's Night of the Living Dead (1. Produced and directed by Romero on a budget of $1. An Armageddon film about zombies, it began to combine psychological insights with gore. Distancing the era from earlier gothic trends, late 6. Low- budget splatter films from the likes of Herschell Gordon Lewis also gained prominence. The Exorcist (1. 97. Robert Wise's film Audrey Rose (1. Alice, Sweet Alice (1. Catholic- themed horror slasher about a little girl's murder and her sister being the prime suspect. Another popular occult horror movie was The Omen (1. Antichrist. Invincible to human intervention, Demons became villains in many horror films with a postmodern style and a dystopian worldview. Another example is The Sentinel (1. Hell. The film includes seasoned actors such as Ava Gardner, Burgess Meredith, and Eli Wallach and such future stars as Christopher Walken and Jeff Goldblum. During the 1. 97. Italian filmmakers Mario Bava, Riccardo Freda, Antonio Margheriti, and Dario Argento developed giallo horror films that became classics and influenced the genre in other countries. Representative films include: Black Sunday, Blood and Black Lace, Castle of Blood, Twitch of the Death Nerve, The Bird with the Crystal Plumage, Deep Red, and Suspiria. The ideas of the 1. Wes Craven's The Hills Have Eyes (1. Tobe Hooper's The Texas Chain Saw Massacre (1. Romero satirized the consumer society in his zombie sequel, Dawn of the Dead (1. Canadian director David Cronenberg featured the . Next, was his third published novel, The Shining (1. Stanley Kubrick, which was a sleeper at the box office. This psychological horror film has a variety of themes; . This film is an example of how Hollywood's idea of horror started to evolve. Murder and violence were no longer the main themes of horror films. During the 7. 0s and 8. Another classic Hollywood horror film is Tobe Hooper's Poltergeist. Poltergeist is ranked the 2. Chicago Film Critics Association. Both films, The Shining and Poltergeist, involve horror being based on real- estate values. The evil and horror throughout the films come from where the movies are taking place. In The Shining, Danny Torrance (the child in the film) can sense supernatural forces. This is because the hotel where the film takes place was once a burial ground for a Native American Indian tribe. This is very similar to the film, Poltergeist. Carol Anne, who is the five- year- old child, can sense the supernatural spirits that have taken over her house. These bizarre spirits come from the graveyard, which the house is built on. Both films are an example of the evolution of Hollywood horror films. However, the film is now known as one of Hollywood's most classic horror films. Carrie became the 9th highest- grossing film of 1. King himself did not like The Shining, because it wasn't very faithful to the 1. A cycle of slasher films was made during the 1. John Carpenter created Halloween (1. Sean Cunningham made Friday the 1. Wes Craven directed A Nightmare on Elm Street (1. Clive Barker made Hellraiser (1. This subgenre would be mined by dozens of increasingly violent movies throughout the subsequent decades, and Halloween became a successful independent film. Another notable '7. Bob Clark's Black Christmas (1. The boom in slasher films provided enough material for numerous comedic spoofs of the genre including Saturday the 1. Student Bodies (1. National Lampoon's Class Reunion (1. Hysterical (1. 98. Steven Spielberg's Jaws (1. Orca (1. 97. 7) and Up from the Depths (1. Jaws is often credited as being one of the first films to use traditionally B movie elements such as horror and mild gore in a big- budget Hollywood film. John Carpenter's 1. The Thing was also a mix of horror and sci- fi, but it was neither a box- office nor critical hit, but soon became a cult classic. However, nearly 2. The 1. 98. 0s saw a wave of gory . A significant example is Sam Raimi's Evil Dead movies, which were low- budget gorefests but had a very original plotline which was later praised by critics. Other horror film examples include cult vampire classics such as Fright Night (1. The Lost Boys (1. Near Dark (also 1. In 1. 98. 4, Joe Dante's seminal monster comedy Gremlins became a box office hit with critics and audiences, and inspired a trend of . The slasher films A Nightmare on Elm Street, Friday the 1. Halloween and Child's Play all saw sequels in the 1. Wes Craven's New Nightmare (1. Silence of the Lambs (1. New Nightmare, with In the Mouth of Madness (1. The Dark Half (1. Candyman (1. 99. 2), were part of a mini- movement of self- reflexive or metafictional horror films. Each film touched upon the relationship between fictional horror and real- world horror. Candyman, for example, examined the link between an invented urban legend and the realistic horror of the racism that produced its villain. In the Mouth of Madness took a more literal approach, as its protagonist actually hopped from the real world into a novel created by the madman he was hired to track down. This reflective style became more overt and ironic with the arrival of Scream (1. In Interview with the Vampire (1. The horror movie soon continued its search for new and effective frights. In 1. 98. 5's novel The Vampire Lestat by author Anne Rice (who penned Interview..'s screenplay and the 1. Lestat inspired and nurtured the Grand Guignol style and theatre. Two main problems pushed horror backward during this period: firstly, the horror genre wore itself out with the proliferation of nonstop slasher and gore films in the eighties. Secondly, the adolescent audience which feasted on the blood and morbidity of the previous decade grew up, and the replacement audience for films of an imaginative nature were being captured instead by the explosion of science- fiction and fantasy films, courtesy of the special effects possibilities with advances made in computer- generated imagery. Peter Jackson's Braindead (1. Dead Alive in the U. Top 5 Must Watch Horror Movies. When it comes to Netflix, every subscriber has his or her own taste for the specific flavors of video consumption on the buffet. Netflix is good for many things, which includes giving subscribers a color wheel that keeps on spinning quality entertainment in front of their eyes for an unlimited supply of visual entertainment. But when it comes to horror movies, Netflix does not always have the widest selection of great movies to watch. But that does not mean they do not have great horror movies on their video- streaming buffet. Here is a top five list for what to watch on Netflix in horror, even if you have already seen some of the classic gems that are mentioned. An American Werewolf In London. It is not enough for fans of the horror genre to simply browse through Netflix and try to find the latest trend in horror. An American Werewolf In London is one of those movies that was so good that every once in a while, a true horror fan has to stop and take a step back just to catch back up with what made horror great to start with. Sure, it might have been a horror movie from your youth that you have already seen a dozen or more times. But An American Werewolf In London is currently streaming on Netflix and it is a good reason, if for nothing else, to stream great horror on the platform. For those who have not seen An American Werewolf In London, the movie is about two American men who are backpacking through Europe on vacation. While on the moors, they are warned to stick to the road and “beware the moon.” But of course, they didn’t. That, of course, causes a man to contract the curse of the werewolf and the monster that emerges from within him is one of the most terrifying ever to come across the big screen. The Shining. There is perhaps no better way to spend your time on a cold winter day than streaming a classic horror movie brought to you by the minds of Stephen King and Stanley Kubrick on Netflix. Although the two were at odds with each other about the movie, what resulted was one of the most disturbing horror films ever to come across the big screen. If you have ever heard the phrase “Red Rum,” then this movie will give you all the context you will ever need to know what it means. The Omen. Netflix is the perfect venue to go back and digitally stream a truly unnerving horror classic. Just imagine a world where people can go back in time and kill a person that would eventually grow up to become one of the most evil people in the world. Well, this is not a time travel movie, but this is the goal of people who know what a young boy is before he becomes the true evil. He is the son of Satan. We Are What We Are. Don’t think that there are not horror movies out there that have that numbing independent feeling that could almost qualify as an Oscar- worthy event. Netflix offers this rare horror gem that features a family that has thrived for many generations as cannibals in secret. It is only until one of them dies that their secret is discovered by mistake through a post- mortem dental examination. This slow burn film with its unnerving storyline is firmly base in reality and will give you chills up and down your spine. Stake Land. Even Rotten Tomatoes has been able to endorse this film with a 7. Netflix horror gem. It features a post- apocalyptic world that has been ravaged by a vampire epidemic and the survivors have much more to fear than just the onslaught of mindless zombies. There are many more great horror films streaming on Netflix at this time. But Netflix still has a limited selection of horror every month, so catch them while they are available. Filme Western, Dansand cu lupii. Denumire originala: Dances with Wolves. Fiind acum cunoscut drept "Cel ce danseaza cu lupii" printre cei din. Cand Dansez cu lupii a primit acelasi premiu. Gen Film Western; Regizor Raoul Walsh; Actori John Wayne, Ian Keith, Tully Marshall, Marguerite Churchill, El. Dances with Wolves - Cel care danseaz. Distributie Kevin Costner. Dansezi cu lupii subtitrat, film dansezi cu lupii subtitrat torrent, descarca film dansezi cu lupii subtitrat, vezi online film dansezi cu lupii subtitrat. Filme cu lupi - Pagina 2jinglebells. Cand Dansez cu lupii a primit acelasi premiu. 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Plot Summary Belle (Emma Watson), a bright, beautiful and. Beauty and the Beast (2017) showtimes and movie theaters. Buy IMAX, IMAX 3D and 3D Beauty and the Beast (2017) movie tickets on Fandango. Find Beauty and the Beast action figures 2017, toys, collectibles, bobbleheads, items, & merchandise at Entertainment Earth. A disguised enchantress turns the handsome (and arrogant) young prince into a beast until he can learn to love and be loved in return. We see a rose's petals, linked. You can now buy the Beauty and the Beast enchanted rose – but you may need a prince to pay for it. Which is to say, the new “Beauty and the Beast” is not as kid-friendly a movie. It tries to be in certain sequences, notably those featuring Lumière the. IMDb editors highlight the stories, faces, and the new look for Jeff Goldblum that had us buzzing this week. Check out our picks from the week. Beauty and the Beast US Official Trailer. Watch the brand new trailer for Disney's . 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Beauty and the Beast movie reviews & Metacritic score: Belle (Emma Watson), a bright, beautiful and independent young woman is taken prisoner by a beast in h. Beauty and the Beast is a 1991 American animated musical romantic fantasy drama film produced by Walt Disney Feature Animation and released by Walt Disney Pictures. First came Broadway productions, followed by direct- to- video sequels, TV series spinoffs and then, starting in 2. Tim Burton’s effects- laden “Alice in Wonderland,” digitally- enhanced live- action renditions. Advertisement. It was therefore all but inevitable that a property as adored as 1. Also welcome is the more inclusive display of love in its various forms, which go beyond the sweetly awkward courtship between brainy, brave and independent- minded bookworm Belle (Emma Watson, much cherished for her gutsy portrayal of Hermione Granger in the eight Harry Potter films) and the cursed prince in the ill- tempered guise of a ram- horned bison- faced creature (Dan Stevens of “Downton Abbey,” whose sensitive blue eyes serve him well amid all his CGI faux- fur trappings). As for that “exclusively gay moment” you have been hearing about? It appears near the conclusion when Le. Fou, a comic- relief character brought to life by Josh Gad (the voice of Olaf the snowman in “Frozen”) who clearly has an unrequited man- crush on his bulky and boorish buddy Gaston (Luke Evans of “The Girl on the Train”), fleetingly dances with a male partner. If your kids aren’t freaked out by Michael Keaton’s coy in- the- closet Ken doll in “Toy Story 3,” they will be fine here—especially considering the central relationship in this PG- rated fantasy basically promotes bestiality. Still, this is a much denser—and longer, by a considerable 4. It’s true that my heart once again went pitty- pat during the ballroom waltz as Emma Thompson voicing Mrs. Potts honors her sublime teapot predecessor Angela Lansbury by warmly warbling the title theme. But I couldn’t help but feel that the more- is- more philosophy that lurks behind many of these remakes weighs down not just the story but some key performances. This “Beauty” is too often beset by blockbuster bloat. Advertisement. The familiar basics of the plot are the same as Maurice, Belle’s father (Kevin Kline, whose sharp skills as a farceur are barely employed), is imprisoned by the Beast inside his forbidding castle for plucking a rose from his garden and Belle eventually offers to take her papa’s place. Meanwhile, the enchanted household objects conspire to cause the odd couple to fall for each other and break the spell that allows both them and their master to return to human form again. There are efforts by screenwriters by Stephen Chbosky (“The Perks of Being a Wallflower”) and Evan Spiliotopoulos (“The Huntsman: Winter’s War”) to provide emotional links between Belle and her Beast involving their mutual absent mothers that don’t add much substance. And, in an ineffectual attempt to embolden her feminist cred, Belle invents a primitive version of a washing machine. Such additions don’t hold a candelabra to tried and true sequences as when the Beast, in a wooing mood, reveals his vast library of books to Belle. One can only describe the reaction on Watson’s face as she takes in this leather- bound orgy of reading material as a biblio- gasm. That is not to say there isn’t much to admire, especially with director Bill Condon’s dedication to injecting the lushness and scope of tune- filled spectacles of yore into the world of IMAX 3- D. His resume, which includes penning the adapted screenplay for “Chicago” and calling the shots behind the camera for “Dreamgirls” and the final two FX- propelled “Twilight” films, shows he knows his way around both musicals and special effects. Watson might be at her best right out of the gate while performing the song “Belle,” which begins with her bemoaning her provincial existence in a small town and ends with her singing on high amid lush green hilltops dotted with yellow wild flowers while channeling Maria in “The Sound of Music.” That the camera lingers upon the freckles on her pert nose is an added bonus. Alas, once she is ensconced in the massive gothic castle, Watson is more reactive than pro- active as her slightness causes her to be swallowed up by the ornate scenery and upstaged by the chatty servants in the guise of furniture and knickknacks. I was a little nervous about how the voice cast including Ewan Mc. Gregor as the urbane French- accented candle man Lumiere and Ian Mc. Kellen as the chubby nervous mantel clock Cogsworth would fare. But they all do a bang- up job with the stand- out number “Be Our Guest,” the so- called “culinary cabaret” where plates, platters and utensils turn into performers in a Busby Berkeley- style spectacular. Condon wisely takes the choreography to the next level with nods to everything from “West Side Story” and “Les Miserables.” Meanwhile, Gad and Evans—both musical theater veterans—pull off the humorous pub number “Gaston” with playful aplomb. Advertisement. Less successful are the action sequences where the Beast and Gaston battle it out “Hunchback of Notre Dame”- style among rooftop turrets, crumbling buttresses and gargoyles. But most disappointing are the not- so- memorable new songs that pop up in the second half whose melodies are once again written by composer Alan Menken but with lyrics by Tim Rice (“The Lion King”). They just cannot compete with the old favorites that never fail to tickle the ears with their irresistible wordplay supplied by the late great Howard Ashman. 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You’re trying to imagine what’s underneath the painting and then build opaque layers of colour ontop of this. My preferred choice for landscapes, still life’s or portraits nearly always stem from one of the Earth colours. See: What are my paints made from? Usually either Burnt Umber + white, Raw Umber + white or Yellow Ochre. For the absolute beginner I recommend using Yellow Ochre. It’s usually included in most beginner sets and can be used diluted with a little water. It’s also brighter than you think so is good at taking you out of your comfort zone. Using Yellow Ochre can cause some hesitation if you are first starting painting as the yellow can seem too strong, but you just need to have a little faith! Indian Naval Placement Agency (INPA) is an online placement site of Indian Navy, Government of India. INPA provides you to find genuine candidates from Indian Navy. The Colors Then the colors! One of the most confusing (and annoying) parts of integral learning is this mix up of colors between Ken Wilber and Don Beck. Mr Drishti, who set up local TV channel Zjarr, said he decided to interview her because he looking for someone a bit different to present his new news programme. Flavido we source Top Rated UPSC IAS Study Material Buy Online, IAS Exam Preparation Material & Notes PDF From Successful Aspirants at affordable price. For example, if you are painting a blue seascape the warm undertone of the yellow can balance perfectly to the cool blues in the scene, adding the feeling of the sun hitting parts of your painting. Pro Tip: If you try using the Yellow ochre straight from the tube but still find it a little too strong in intensity for your taste just add some Titanium white to the mix to mute it down – it will give you a colour close to Naples yellow. Are your watercolour techniques ruining your acrylics? Mahabharat is an Indian television series based on the Hindu epic of the same name. The 94-episode Hindi series originally ran from 2 October 1988 to 24 June 1990 on.If you’re coming to Acrylics or Oils from Watercolour you will naturally use too little paint. Watercolour is based on diluting, Acrylic is based on adding. If you combine scratchy, watery paint onto a white canvas your painting will look amateurish. If you have the same scratchy watery paint on an opaque ground colour your painting will look rocking! The coloured ground is doing all the work for you. How does a coloured ground help me? Bought canvases and boards are nearly always white. When you have a white canvas any colour you paint onto it looks drastically different because of the optical effects and tricks colour plays on you. As a beginner this can be disconcerting, for example, if you paint a light grey onto your white canvas it will look black. With an untrained artistic eye it’s really hard to judge colours and tones accurately because of the effects of ? As I use this technique on most of my paintings I use a fluid acrylic from Golden paints. You can add a touch of water into it and it will still hold the acrylic bond really nicely. If you’re just starting with the technique using standard Acrylics will work fine. Pro tip: Some manufacturers recommend you don’t dilute Acrylics with more than 4. However, for this stage of the painting this doesn’t matter, as we’re painting directly onto the canvas. We want the paint to . If you mix in too much medium at this stage it can cause a resist to the further layers of paint adhering onto them as easily. Keep the mix thin and . This will help to break down the surface tension and make the thin layer of paint soak into the canvas. How do I apply an Acrylic Coloured Ground? Time : 1. 0 Mins. Level: Absolute beginner. Materials: Yellow Ochre Acrylic paint ( I demonstrate with Golden Acrylics Heavy body paint) white canvas or canvas board, decorators brush (I use a Purdy 2 inch decorators brush), kitchen roll (paper towel), water, newspaper, Cranked handle palette knife ( I use a number 4. RGM palette knife)Pro Materials: (Tear off disposable palette, Cranked handle palette knife ( I use a number 4. RGM palette knife), water mister, Golden fluid Acrylic. So here’s what you do: 1. Lay old newspaper on the floor, or work on a really old floor or table. Mix the Yellow ochre in a jam jar/old mug or plastic tray with water until it’s the consistency of milk/single cream. Student Quality paints will need less water than artist quality paints. Grab some kitchen roll in your left hand (because your bound to get some unwanted drips when you first start). Pick up the canvas. Paint around the edges first, trying not to get too much overflow onto the front of the canvas. Angle the brush to minimize bristles sneaking over the front of the canvas. Apply the paint with a scrubbing motion to . Place the canvas on the floor or low table. Then working quickly brush the paint from left to right to cover the canvas. When you paint there will be darker streaks of paint on the edge of the canvas because the bristles push it out. You have to keep working backwards and forward to smooth out the indiscretions. Try using a plastic kitchen spatula, old paintbrush. Pro Tip: I Use Golden Fluid Acrylic paint as it has a stronger staining effect than watering down Heavy body paint. Pro Tip: If using Acrylic ground for oil paint make sure you add water to the acrylic. As acrylic is plastic based it can cause a skin that the oil paint will sit on top rather than sinking into the canvas. BackgroundThe aggressive and heterogeneous nature of lung cancer has thwarted efforts to reduce mortality from this cancer through the use of screening. Gmail is email that's intuitive, efficient, and useful. 15 GB of storage, less spam, and mobile access. New Civil Aviation Policy Aims to be Liberal and Growth-Oriented : March 2016. India may finally have a new civil aviation policy after two decades if the. Pro Tip: If you add too much paint to the initial layer the paint won’t behave the same on the weave of the canvas. So where do we go from here? You’ve unwrapped your canvas and got a lovely coloured ground painted. Now we need to have a quick understanding of brushes so we have the right tools for the job. Resources. These brushes are off the hook, brilliant for decorating at home as well, come with a little cardboard . Look out for sets for sale as these can be really good value. I usually buy mine from Johnstones paint. They look like a trade only company but are also open to the public. And they do a free painting app for choosing colours to decorate at home! I predominantly use Golden paints as I find the colour saturation really good and the Titanium White has some amazing opacity. They also have a huge range of mediums, Gels & varnishes. You might also like: 1. How to paint an acrylic landscape painting(Put that new coloured ground into good use!). Ways Body Language Is Used In Advertising. Are there nonverbal cues in advertising? Advertising and marketing is all about nonverbal and body language cues because you have to put your brand and messaging into every aspect of your promotion. Let’s look at a few studies about nonverbal behavior and advertising to see how you can use body language to increase your income, influence and impact. Nonverbal in Advertising. Show People Where to Look. Usually in an advertisement there is a central focus–an action step, like “Click Here” or a product, and this is where a customer’s attention should ideally be. There is actually a nonverbal trick to getting your customer to focus on your target: Have someone in the advertisement looking at the target. Humans instinctively want to look at what someone else is looking at, so if you have a “Buy Now” button on an advertisement or a shoe in a commercial, you want to have a model looking right at that target or main message. Here is an example: Your eyes want to follow where his eyes are looking. Eyes As Cues. Having a picture like this in your ads or website is a great way to control the gaze direction of your customer. Look at this picture of an eye map. This is where most people look when seeing a picture for the first time. As you can see we typically look at people’s eyes, so if their eyes are pointed somewhere else, we tend to follow. Take a look at how marketing and advertising guru Seth Godin uses this principle on his website. He wants you to take action so he is looking at the sidebar panel with all of the cool areas of his website. Pointing. You will also notice the picture above has the woman gesturing or pointing up. Pointing is another nonverbal way to get your customer to look or focus where you want them to pay attention. This is why stock image photos of people looking, gesturing or pointing in every direction are so popular. This is a great way to get people to focus on your product or action button. Here is an example in a print add of someone in the ad gesturing towards their main message. This automatically makes you look up towards the message. Happy Faces. We have mirror neurons that encourage us to mimic or mirror the person we are looking at. We do this to feel empathy. When we make a face we tend to feel the emotion. This is called the Facial Feedback Hypothesis–where the face you make also makes you feel that emotion. In your ads it is a good idea to use happy faces. If we see a confused or frustrated face in an ad, we tend to copy the face and therefore feel more confused or frustrated ourselves. Hopefully, your product or service is solving a pain point, so show the end emotion of success not the frustrated starting place. Babies. Our brains love looking at babies. So, if your product could have a baby in the ad, include it! See this iconic ad from Cola: Babies engage a different area of our brains–especially for women. It instantly puts us in a warm, caring, compassionate mood. And this of course, makes us want to buy more. Dilate Pupils. Back in the 1. Charles Darwin found that when we feel fear, our pupils expand to help us take in more of our surroundings–this helps with fight or flight response. When we can see more, we are more likely to survive. Interestingly, our pupils also expand when we see something we like. In 1. 96. 5 a psychologist named Eckhard Hess performed an experiment where he showed his research assistant, James Polt, a series of photographs while tracking the diameter of Polt’s pupil size. When Hess showed Polt a picture of a nude woman, his pupils enlarged immediately. Further experimentation found that, in fact, our pupils do dilate when aroused–to take in more of the pleasant surroundings. Additionally, researchers found that people also find faces with dilated pupils as more attractive. If you really want to up the attractiveness of your product and your ad, try increasing the pupil size with photoshop. When you look closely, you will notice most major advertisers already do this. Use Color Psychology. Research has found that colors can greatly affect our moods and perceptions. Here is an interesting guide to how advertisers can use color psychology. Want more on color psychology? Check out our Color Psychology 1. Money! If you use dollar amounts in your advertisements there are two nonverbal ways to increase sales: Researchers have found that removing the $ sign in front of numbers helps take the sting off of the price for customers. If possible, prime with a higher number before listing your price. For example, there is a reason infomercials always say, “Most products like these cost thousands of dollars, we are only offering this today for 1. They are priming you to think that thousands is high, so $1. Trust Action, Not Focus Groups. Many people put together focus groups or ask friends or family what they think of their ads. This is actually not a good idea. Our logical brain often makes different decisions than our emotional brain–and our emotional brain is what dictates our buying behavior. Take this study for example: Researchers had 3. National Cancer Institute’s smoking- cessation hotline. They had to choose which campaign, “A” “B” or “C” would be the best. The smokers chose A and B as the best and C as the least effective. The researchers also asked experts in the anti- smoking field which ads would work and which wouldn’t. They also thought A and B were the best with C in last place. Then the researchers had the smokers watch the ads in f. MRI machines and saw that the medial prefrontal cortex had higher activity during advertising campaign C than it did during A and B. It turns out their brain knew which ad was best, even if their logic didn’t. When the ads aired, the C campaign caused a thirty- fold increase in call volume while A and B had less than half of that. So, don’t ask people what they think, ask a small group of your target demo to actually take action. Position for Readiness. Nonverbally, you want your advertisement to signal “readiness.” What I mean is that if you have a picture of a food product you want that product to look like it is easy to pick up and eat. This triggers to the brain that it is about to have a snack–hence increasing cravings. For example, which ad do you think will perform better: A. B. If you guessed A, you would be right. This is called the Visual Depiction Effect. Nonverbally this signals to a customer that it is ready to buy or eat simply by changing the product’s orientation. Researchers have found that if you orient a product toward a person’s dominant hand in a visual campaign, it increases the imagined product use. Researchers Ryan Elder and Aradhna Krishna experimented with images of bowls, cups, sandwiches, coffee and yogurt to test how nonverbal orientation could change purchasing and product desirability. They found that it is best to appeal to the right hand side (sorry lefties!). Remember that the nonverbal messaging in your advertisements can greatly increase your sales and impact. Don’t forget about body language, orientation and color messaging! Diggin’ this content? Sign- up for more (yes, of course, it’s FREE!)Success! Now check your email to confirm your subscription. Citations: R. 3. 1, 2. FYFEwh. 2b- Zo. C& dq=chapter+1. S0. 19. 18. 86. 90. Gowin, Joshua. 3. Merriam- Webster. Irc. ZEZ1b. OJs. C& dq=pupils+latin+little+girl& source=gbs. Murphy, Cheryl. 3. Stern, Robert Morris; Ray, William J.; and Quigley, Karen S. Wmvzrk. Zdv. 8C& dq=hess+attraction- dilation+hypothesis& source=gbs. Tombs, Selena and Silverman, Irwin. How to Manipulate Colors in Advertising.” Written By Justin Miles Wednesday, 0. October 2. 01. 1.“The Language of Advertising. Unite 1. 3: Colors and Advertising.” Peter Sells and Sierra Gonzalez. Liu, David and Lisa Westmoreland (2. Find out in our book Captivate! Ever wonder what makes people tick? Want to know the hidden forces that drive our behavior? In Vanessa Van Edwards new book Captivate, she explains a simple blueprint for hacking human behavior. 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