The Divine Comedy of Dante: Purgatory summary and study guide are also available. Purgatorio, and Paradiso is. Looking for the plot summary of The Divine Comedy. I am an Artist and currently studying Dante ![]() The Divine Comedy by Dante: Summary & Analysis - Video & Lesson Transcript. Enrolling in a course lets you earn progress by passing quizzes and exams. Earn certificates of completion. You will also be able to. Purgatory : Canto II : ARGUMENT. Create a Study Trainer. Create custom courses. Get your questions answered. Upgrade to Premium to add all these features to your account! About The Divine Comedy: Inferno; Character List; Summary and Analysis; Canto I; Canto II; Canto III; Canto IV; Canto V; Canto VI; Canto VII; Canto VIII.![]() ![]() Dante: The Divine Comedy. Purgatorio Canto II:1-45 The Angel of God. Novel Summary: Purgatorio section 32- Paradiso section 3. Divine Comedy: Novel Summary: Purgatorio section 32- Paradiso section 3. Divine Comedy; Summary. Divine Comedy: Novel Summary: Purgatorio section 2- Purgatorio section 6, Free Study Guides and book notes including comprehensive chapter analysis, complete summary. ![]() ![]() Canto ISummary. In the middle of the journey of his life, Dante finds himself lost in a dark wood, and he cannot find the straight path. He cannot remember how he wandered away from his true path that he should be following, but he is in a fearful place, impenetrable and wild. He looks up from this dismal valley and sees the sun shining on the hilltop. After resting for a moment, he begins to climb the hill towards the light, but he is suddenly confronted by a leopard, which blocks his way and he turns to evade it. Then a hungry lion appears more fearful than the leopard, but a . It has difficulty speaking, as though it had not spoken for a long time. At first Dante is afraid, but then implores it for help, whether it be man or spirit. When Virgil hears how Dante was driven back by the . However, Virgil prophesies that someday, a marvelous greyhound, whose food is wisdom, love, and courage, will come from the nation between . Another guide will take him to this last realm, which Dante cannot (or may not) enter. Dante readily agrees, and the two poets begin their long journey. Analysis. This opening canto is an introduction to the entire Divine Comedy. This is made clear in the closing lines, when Virgil tells Dante that he can guide him only so far towards Paradise, and then another guide will have to take over because Virgil, being born before the birth of Jesus Christ, cannot ever be admitted to the . It is a story of Dante's journey through life to salvation. It begins when Dante is halfway through his life — 3. When Dante speaks of having strayed from the right path, the reader should not assume that Dante has committed any specific sin or crime. Throughout the poem, Dante is advocating a strict adherence to medieval Catholic theology: Man must consciously strive for righteousness and morality. In its simplest terms, Man can often become so involved with the day- to- day affairs of simply living that he will gradually relapse into a sort of lethargy in which he strays from the very strict paths of morality. For Dante, Man must always be aware intellectually of his own need to perform the righteous act. Therefore, Sin is a perversion of the intellect. Thus, when Dante finds himself in a . Through his poetry, his high ethics and morals, and the mere fact that he, in his Aeneid, had already made a journey through Hell in the person of Aeneas, Virgil is the perfect guide for Dante. Furthermore, Virgil's hoarseness is Dante's subtle way of saying that the high morals and strict ethics of the poet have not been fully appreciated in Dante's time — that is, he is not read as frequently as he should be. Likewise, he has not spoken to a mortal since his death, and thus is unaccustomed to talking. And it is a common belief that a spirit cannot speak to a human until that human first speaks to the spirit — a custom used by Hamlet in approaching the ghost of his father. The three beasts have been so variously identified and understood as representing so many qualities, it is sufficient, as noted in the introduction, to assume that they are three obstacles to Dante's returning to the. The Hill of Difficulty. The Panther, the Lion, and the Wolf. Virgil. 1- 9 Dante, having lost his way, in a dark wood. Virgil) and Dante’s first words. Virgil identifies himself. Dante. 79- 9. 0 Dante’s recognition, praise of Virgil; plea for aid. Virgil’s warning: power of the she- wolf. Virgil’s prophecy of the hound that will defeat her. Virgil will guide Dante through two realms to a third. Virgil: a second guide will take him to those in bliss,since he is not allowed into that realm. Dante agrees to be led through the first two realms. II. The Intercession of the Three Ladies Benedight. Dante, . The Inefficient or Indifferent. The Shores of Acheron. The Earthquake and the Swoon. Dante is afraid. 13- 2. Virgil admonishes, then encourages, Dante. Dante asks who these shades (in Circle . The First Circle, Limbo: Virtuous Pagans and the Unbaptized. The Four Poets, Homer, Horace, Ovid, and Lucan. The Noble Castle of Philosophy. Dante awakened by . The Second Circle: The Wanton. The Infernal Hurricane. Francesca da Rimini. Circle: the lustful. Minos judge of the damned. Minos attempts to discourage Dante. Virgil repeats his magical phrase (III. Dante has. 31- 3. The Third Circle: The Gluttonous. Florence. 1- 6 Dante recovers from his syncope to find a new place. Circle: cold downpour on stinking ground. Cerberus presides, barking; he flays the sinners. Cerberus’s opposition and Virgil’s . The Fourth Circle: The Avaricious and the Prodigal. Fortune and her Wheel. The Fifth Circle: The Irascible and the Sullen. Styx. 1- 1. 5 proem: Plutus speaks; Virgil answers; Plutus collapses. Circle and Dante’s apostrophe of Justice. Charybdis and Scylla. The Gate of the City of Dis. WRATH (fifth Circle continues, vv. Dante’s questions and Virgil’s reply. Phlegyas, his skiff; his wrath at Virgil’s rebuke. Dante’s weight displaces water beneath the skiff. Filippo Argenti: hostile exchange with Dante. Filippo Argenti: Dante’s action and Virgil’s assent. Virgil’s musing on the wealth of kings. Filippo Argenti: Dante’s wish and its fulfillment. CITY OF DIS (sixth Circle begins)6. Dis and arrival in Phlegyas’ skiff. Dante. 86- 9. 3 they will parley, but with Virgil alone. Dante’s concerns and Virgil’s comforting. Virgil leaves Dante alone for the first time. Virgil’s chagrin. Virgil’s promise of aid from above. IX. The Furies and Medusa. The Sixth Circle: Heresiarchs. Dante’s pallor, Virgil’s reaction, Dante’s response. Dante’s pointed question and Virgil’s general response. Virgil: a need now for assistance in entering the city. Furies and their threat: Medusa. Virgil’s ministrations to threatened Dante. Virgil uncovers Dante’s eyes as the . Discourse on the Knowledge of the Damned. Dante & Virgil among the sepulchers. Dante curious about their uncovered inhabitants. Virgil: the tombs will be closed after Judgment Day. Virgil: here you will see the Epicureans, and Farinata. Dante was silent about this wish only to please Virgil. Dante’s first exchange with Farinata: 2. Farinata’s recognition of a fellow Tuscan. Dante’s fear and Virgil’s rebuke. Farinata’s scornful air and Virgil’s encouragement. Farinata: from whom are you descended? Dante’s answer and Farinata’s rejoinder. Dante’s similar thrust. Dante’s exchange with Cavalcante: 5. Cavalcante’s abject appearance: where is his son? Dante comes not by his own powers; he is led. Cavalcante from his words and situation. Dante’s second exchange with Farinata: 7. Farinata now turns Dante’s thrust back on him. Florentines merciless to his family? Dante: they do not forget the battle of Montaperti. Farinata’s plea: it was he who preserved the city. Dante: what do the damned know of future and present? Farinata explains their condition in these respects. Dante’s apology to Cavalcante. General Description of the Inferno and its Divisions. Pope Anastasius. 10- 1. Virgil’s description of the sins of lower hell: malice resulting in use of violence or fraud. Circle 7) vs. The Seventh Circle: The Violent. The Violent against their Neighbours. Tyrants. 1- 3 retrospect (the edge of the precipice at XI. Minotaur)4- 1. 0 simile: the fallen rock along the Adige near Trent. Minotaur. 16- 2. 1 Virgil to the Minotaur: Dante is not Theseus. Minotaur’s fury allows a quick descent. Virgil’s remarks on the cause of the fallen rock. Phlegethon)4. 9- 5. The Violent against themselves. Lano and Jacopo da Sant. The Sand Waste and the Rain of Fire. The Violent against God. The Statue of Time, and the Four Infernal Rivers. Florentine suicide. God: barren sand. God’s just vengeance. Alexander’s army in India. The Violent against Nature. Guidoguerra, Aldobrandi, and Rusticucci. Cataract of the River of Blood. Dante is Florentine and stop him. Virgil’s insistence that these are worthy of courtesy. Dante is; he identifies Guido Guerra, Tegghiaio. The Violent against Art. Descent into the Abyss of Malebolge. Virgil indicates the presence of Geryon. Virgil’s invitation and Geryon’s . The Eighth Circle, Malebolge: The Fraudulent and the Malicious. The First Bolgia: Seducers and Panders. The Second Bolgia: Flatterers. Thais. 1- 9 Malebolge as castle: wall, moats, bridges, pit. Geryon has departed. Rome over Tiber during Jubilee Year. Dante recognizes Venedico. The Third Bolgia: Simoniacs. The Fourth Bolgia: Soothsayers. Amphiaraus, Tiresias, Aruns, Manto, Eryphylus, Michael Scott, Guido Bonatti, and Asdente. Virgil reproaches Dante. Amphiaraus (Statius, Thebaid VII- VIII)4. Tiresias (Ovid, Metamorphoses III)4. Aruns (Lucan, Pharsalia I)5. Manto (Virgil, Aeneid X)5. Virgil’s digression on Manto and Mantua. Mantua. 10. 0- 1. Dante’s responses. Eurypylus (Virgil, Aeneid II)1. Michael Scot (astrologer of Frederick II)1. Guido Bonati(astrologer of G. Asdente (astrologer in Parma)1. The Fifth Bolgia: Peculators. The Elder of Santa Zita. Malacoda and other Devils. Canto XX4- 6 weeping and darkness in the fifth bolgia. Venice. 22- 2. 8 Virgil’s first warning to Dante and Dante’s reaction. Lucca for more like him. Virgil’s second warning and claim of expertise. Virgil advances to meet the foe. Virgil as beggar, devils as watchdogs. Virgil’s command to the . Ciampolo, Friar Gomita, and Michael Zanche. The Malabranche quarrel. Graffiacane hooks a sinner. Dante explains how he came to know the devils’ names. Rubicante to flay the sinner. Dante asks Virgil to determine the sinner’s identity. Virgil asks him; the sinner says he is from Navarre. Ciampolo’s autobiography. Cir. Escape from the Malabranche. The Sixth Bolgia: Hypocrites. Caiaphas. 1- 3 Virgil and Dante continue, walking as Franciscans do. Aesopic second- thoughts on the preceding scene. Dante’s reflection on his present condition. Virgil that they hide. Virgil’s plan to escape into the next bolgia. Malebranche are back in force. Virgil seizes Dante and carries him)5. Malebranche from floor of sixth bolgia. Dante hopes Virgil will find a being familiar to him. Dante’s Tuscan speech catches the interest of two. Dante explains his origin and condition and asks oftheir identities and punishment. Catalano. The Seventh Bolgia: Thieves. Serpents. 1- 2. 1 the elaborate opening simile: peasant and hoarfrost. Virgil, back and prudently calculating, embraces Dante. Dante’s arrival and temporary repose. Virgil urges Dante upward and onward. Dante’s forced assurances of his readiness. Dante’s curiosity about a voice from below. Virgil’s assent. 79- 8. The Eighth Bolgia: Evil Counsellors. His deception by Pope Boniface VIII. Sicilian bull. 16- 1. Guido da Montefeltro: his difficulty producing words. Guido questions Virgil about Romagna. Virgil directs Dante to speak to his fellow Italian. Dante reports on Romagna’s troubled present. Dante offers fame in exchange for Guido’s identity. Guido agrees because he believes Dante is damned. Guido’s autobiography: 6. Boniface. 73- 7. 8 the covert ways of . The Ninth Bolgia: Schismatics. Pier da Medicina, Curio, Mosca, and Bertrand de Born. Virgilian) opening. Puglia. 22- 2. 4 simile: gaping cask and Mohammed. Mohammed. 28- 3. 3 Mohammed identifies himself and then Al. The Tenth Bolgia: Alchemists. Gianni Schicchi, Myrrha, Adam of Brescia, Potiphar. Thebes): Athamas. Fortuna vs. Troy): Hecuba. Gianni Schicchi and Myrrha. Griffolino. The Giants, Nimrod, Ephialtes, and Antaeus. Descent to Cocytus. Virgil’s tongue, Achilles’ lance. Malebolge: the horn in the gloom (Roland)1. Satan’s . The Ninth Circle: Traitors. The Frozen Lake of Cocytus. First Division, Caina: Traitors to their Kindred. Second Division, Antenora: Traitors to their Country. Dante questions Bocca. Antenora (country or party)7. Dante kicks a head. Bocca’s complaint; Dante wants to converse. Dante and Bocca. 10. Dante pulls his hair, Bocca still resists, only to bebetrayed by Buoso. The Death of Count Ugolino. Third Division of the Ninth Circle, Ptolomaea: Traitors to their Friends. Friar Alberigo, Branco d. Ptolomea (guests and friends)9. Dante feels the wind even on his callused face. Virgil: soon you will see the wind’s source. Fra Alberigo’s request: clear out my iced- over eyes. Dante offers a bargain that Alberigo accepts. Dante: are you already dead? Alberigo’s response. Dante: Branca d’Oria is still alive. Alberigo: but his and his kinsman’s souls are here. Alberigo asks for aid; Dante does not give it. Genoa. XXXIV. Fourth Division of the Ninth Circle, the Judecca: Traitors to their Lords and Benefactors. Lucifer, Judas Iscariot, Brutus, and Cassius. Judecca (lords and benefactors)1- 3 Virgil’s Latin beginning. Dante retreats behind Virgil to escape the wind. Virgil announces Satan and encourages Dante. Inferno. 28- 3. 6 Lucifer: his size, his ugliness. Cassius; red: Judas; black: Brutus. Cocytus. 53- 5. 4 tears from his six eyes mix with blood at his chins. Virgil identifies Judas, Brutus, and Cassius. Virgil: it is time to depart, we have seen it allthe ascent. Dante attaches himself to Virgil; they turn around. Virgil’s encouragement: ?
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